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<urlset xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9 http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd"><url><loc>https://nuvemcritica.com/2025/12/12/inter-faces-de-jonatas-moreira/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/12/img_5179.jpg</image:loc><image:title>IMG_5179</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/12/img_4602.jpg</image:loc><image:title>IMG_4602</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/12/img_4600.jpg</image:loc><image:title>IMG_4600</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/12/img_4589.jpg</image:loc><image:title>IMG_4589</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/12/img_4583.jpeg</image:loc><image:title>IMG_4583</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/12/img_4582.jpg</image:loc><image:title>IMG_4582</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/12/img_4576.jpg</image:loc><image:title>IMG_4576</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/12/img_4575.jpg</image:loc><image:title>IMG_4575</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/12/img_4523.jpg</image:loc><image:title>IMG_4523</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/12/img_4520.jpg</image:loc><image:title>IMG_4520</image:title></image:image><lastmod>2025-12-12T23:06:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2025/11/25/curso-online-introducao-a-curadoria-2/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/11/flyer1curadoria.jpg</image:loc><image:title>flyer1curadoria</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/11/reluz-neblina-itinera-arte-foto-rafael-adorjan-13.jpg</image:loc><image:title>Reluz Neblina - Itinera Arte - foto Rafael Adorján (13)</image:title></image:image><lastmod>2025-11-25T10:57:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2025/09/22/e-bonita-a-festa-pa-a-experiencia-da-imigracao-brasileira-na-bienal-de-cerveira-portugal-2024/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/09/thiago-fernandes-figura-6.jpg</image:loc><image:title>Thiago Fernandes - Figura 6</image:title><image:caption>Yuli Anastassakis, Tempos de Agora, 2021. Linha de algodão bordada sobre linho. Fotografia do autor.</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/09/thiago-fernandes-figura-5.jpg</image:loc><image:title>Thiago Fernandes - Figura 5</image:title><image:caption>Jaime Lauriano, Escravidão e Liberdade, 2018. Impressão sobre tecido / Felipe Barbosa, O Café e o Açúcar estão na Origem, 2015-2024. Corrente feita com embalagens de café e açúcar. Fotografia do autor.</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/09/thiago-fernandes-figura-4.jpg</image:loc><image:title>Thiago Fernandes - Figura 4</image:title><image:caption>Hilda de Paulo, se não puder também dançar, esta não é a minha revolução, 2019. Tinta automotiva sobre madeira. Óxido de ferro. Fotografia do autor.</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/09/thiago-fernandes-figura-3.jpeg</image:loc><image:title>Thiago Fernandes - Figura 3</image:title><image:caption>Sonia Távora, Entre Mundos (da série além dos muros do jardim), 2019-2024. Óxido de ferro. Fotografia do autor.</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/09/thiago-fernandes-figura-2.jpg</image:loc><image:title>Thiago Fernandes - Figura 2</image:title><image:caption>Vista da exposição É bonita a festa, pá!, Fundação Bienal de Cerveira, março de 2024. Fotografia do autor.</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/09/thiago-fernandes-figura-1.jpg</image:loc><image:title>Thiago Fernandes - Figura 1</image:title><image:caption>Exposição Depois da partida de Flavia Regaldo no NowHere, maio de 2024. Fotografia do autor.</image:caption></image:image><lastmod>2025-09-22T23:44:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2025/07/31/carpinturas-lin-lima/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/07/img-20250721-wa0023.jpg</image:loc><image:title>IMG-20250721-WA0023</image:title></image:image><lastmod>2025-07-31T13:48:19+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2025/05/08/o-mundo-do-trabalho-marcos-abreu/</loc><lastmod>2025-05-08T14:53:51+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2025/02/03/museu-pos-modernidade-e-a-cidade-ludica-de-frederico-morais/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/02/1108110.jpg</image:loc><image:title>1108110</image:title><image:caption>tur Barrio, Situação T/T1, Trouxas Ensanguentadas, Do corpo à Terra,1970</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/02/1108109.jpg</image:loc><image:title>1108109</image:title><image:caption>tur Barrio, Situação T/T1, Trouxas Ensanguentadas, Do corpo à Terra,1970</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/02/o-som-do-domingo_beto-felicio-12.gif</image:loc><image:title>O-som-do-domingo_Beto-Felício-12</image:title><image:caption>Domingos da Criação, O som do domingo, 1971</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/02/142194126_3927713420614028_7027950663702727201_o.jpg</image:loc><image:title>142194126_3927713420614028_7027950663702727201_o</image:title><image:caption>Domingos da Criação, Um domingo de papel, 1971</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/02/6-0.jpg</image:loc><image:title>6-0</image:title><image:caption>Domingos da Criação, Um domingo de papel, 1971</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/02/16-0.jpg</image:loc><image:title>16-0</image:title><image:caption>Domingos da Criação, O corpo a corpo do domingo, 1971</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/02/12-0.jpg</image:loc><image:title>12-0</image:title><image:caption>Domingos da Criação, Domingo terra a terral, 1971</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/02/fig-1.jpg</image:loc><image:title>Fig 1</image:title><image:caption>Programação do Arte no Aterro. Fonte: Diário de Notícias, 4 de julho de 1968, p. 13.</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/02/fig-2.png</image:loc><image:title>Fig 2</image:title><image:caption>Folheto - Arte no Aterro, 1968</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/02/fig-3.jpg</image:loc><image:title>Fig 3</image:title><image:caption>Domingos da Criação, Um domingo de papel, 1971</image:caption></image:image><lastmod>2025-02-03T21:10:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2025/01/31/curso-online-arte-publica/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/01/flyer1.jpg</image:loc><image:title>flyer1</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2025/01/461982258_3863025567301442_9006528919004530999_n.jpg</image:loc><image:title>461982258_3863025567301442_9006528919004530999_n</image:title></image:image><lastmod>2025-04-08T11:14:28+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2019/01/31/tropicalia-e-as-capas-de-discos-dos-anos-1960/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/01/capalpfront.jpg</image:loc><image:title>capalpfront</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/01/44b93ab09cb034b9f1e075d9cb45a4c6-1.jpg</image:loc><image:title>44b93ab09cb034b9f1e075d9cb45a4c6</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/01/tumblr_lb7zq1adwv1qzkqew.jpg</image:loc><image:title>tumblr_lb7zq1adwv1qzkqew</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/01/sgt-pepper_1.jpg</image:loc><image:title>sgt-pepper_1</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/01/nara-1964-proj-grafico-cesar-villela-foto-cesar-villela.jpg</image:loc><image:title>nara-1964-proj-grafico-cesar-villela-foto-cesar-villela</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/01/mi0001594403.jpg</image:loc><image:title>mi0001594403</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/01/maxresdefault.jpg</image:loc><image:title>maxresdefault</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/01/caetanoveloso1968.jpg</image:loc><image:title>caetanoveloso1968</image:title></image:image><lastmod>2025-01-30T20:17:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2020/12/12/o-jeito-carioca-de-habitar/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/12/priscila-rezende.jpg</image:loc><image:title>Priscila Rezende</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/12/kpxee0r.jpg</image:loc><image:title>KpXeE0R</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/12/81632261_143033097147151_4060979996311448291_n.jpg</image:loc><image:title>81632261_143033097147151_4060979996311448291_n</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/12/mar-casa-carioca-expo-152.jpg</image:loc><image:title>MAR CASA CARIOCA - expo-152</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/12/mar-casa-carioca-expo-64.jpg</image:loc><image:title>MAR CASA CARIOCA - expo-64</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/12/mar-casa-carioca-expo-55.jpg</image:loc><image:title>MAR CASA CARIOCA - expo-55</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/12/mar-casa-carioca-expo-54.jpg</image:loc><image:title>MAR CASA CARIOCA - expo-54</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/12/mar-casa-carioca-expo-25.jpg</image:loc><image:title>MAR CASA CARIOCA - expo-25</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/12/mar-casa-carioca-expo-20.jpg</image:loc><image:title>Registro fotográfico de Elisa Mendes.</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/12/mar-casa-carioca-expo-2.jpg</image:loc><image:title>MAR CASA CARIOCA - expo-2</image:title></image:image><lastmod>2024-11-10T11:25:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2024/11/05/curso-online-introducao-a-curadoria/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2024/11/1693676067549-2.jpg</image:loc><image:title>Processed with VSCO with a6 preset</image:title><image:caption>Processed with VSCO with a6 preset</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2024/11/whatsapp-image-2024-11-04-at-08.58.19.jpeg</image:loc><image:title>WhatsApp Image 2024-11-04 at 08.58.19</image:title></image:image><lastmod>2024-11-05T20:57:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2021/03/01/a-presenca-de-alphonse-mucha/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/03/cartas-clow.jpg</image:loc><image:title>cartas clow</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/03/bieres-baixa.jpg</image:loc><image:title>bieres baixa</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/03/01_-_teatro_amazonas-1.jpg</image:loc><image:title>01_-_teatro_Amazonas</image:title><image:caption>Teatro Amazonas, inaugurado em 1896 (Manaus, AM)</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/03/confeitaria_colombo_tomas-rangeldivulgaccca7acc83o.jpg</image:loc><image:title>Confeitaria_Colombo_Tomas-RangelDivulgação</image:title><image:caption>Confeitaria Colombo, inaugurada em 1894 (Rio de Janeiro, RJ)</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/03/jose_de_alencar_theatre.jpg</image:loc><image:title>José_de_Alencar_Theatre</image:title><image:caption>Theatro José de Alencar, inaugurado em 1911 (Fortaleza, CE)</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/03/posters.jpg</image:loc><image:title>posters</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/03/gismond-baixa.jpg</image:loc><image:title>gismond baixa</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/03/capa.jpg</image:loc><image:title>capa</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/03/biscoito.jpg</image:loc><image:title>IMAGES  MUCHA-_-103. 42. S 018-_-F51.tif</image:title><image:caption>IMAGES  MUCHA-_-103. 42. 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018-_-F51.tif</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/03/91a2vkj1mrl.jpg</image:loc><image:title>91A2vKj1mrL</image:title></image:image><lastmod>2024-10-04T11:31:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2020/12/18/sem-eira-nem-beira/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/12/mano-penalva-tribeira-casa-de-andar-2019-biombo-e-cacos-de-vidro-195-x-160-x-15-cm.jpg</image:loc><image:title>Mano-Penalva-Tribeira-Casa-de-Andar-2019-Biombo-e-cacos-de-vidro-195-x-160-x-15-cm</image:title></image:image><lastmod>2024-10-04T11:30:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2024/10/04/mergulho-no-vermelho/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2024/10/8.jpg</image:loc><image:title>8</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2024/10/7.jpg</image:loc><image:title>7</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2024/10/6.jpg</image:loc><image:title>6</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2024/10/4.jpg</image:loc><image:title>4</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2024/10/3.jpg</image:loc><image:title>3</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2024/10/2.jpg</image:loc><image:title>2</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2024/10/1.jpg</image:loc><image:title>1</image:title></image:image><lastmod>2024-10-04T11:26:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2019/11/11/so-love-carlos-contente/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/11/20191024_201738.jpg</image:loc><image:title>20191024_201738</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/11/20191024_182109-e1573504773783.jpg</image:loc><image:title>20191024_182109</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/11/20191024_201023.jpg</image:loc><image:title>20191024_201023</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/11/20191024_200845-e1573505064485.jpg</image:loc><image:title>20191024_200845</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/11/20191024_200832-e1573505197157.jpg</image:loc><image:title>20191024_200832</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/11/20191024_181757.jpg</image:loc><image:title>20191024_181757</image:title></image:image><lastmod>2024-04-08T09:13:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2019/10/15/um-bispo-caido-e-uma-bala-perdida/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/img-20190715-wa0017.jpg</image:loc><image:title>IMG-20190715-WA0017</image:title><image:caption>Imagens da noite de 15 de julho de 2019</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/img-20190715-wa0014.jpg</image:loc><image:title>IMG-20190715-WA0014</image:title><image:caption>Imagens da noite de 15 de julho de 2019</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/img-20190715-wa0013.jpg</image:loc><image:title>IMG-20190715-WA0013</image:title><image:caption>Imagens da noite de 15 de julho de 2019</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/20190930_160852.jpg</image:loc><image:title>20190930_160852</image:title><image:caption>Bispo Baleado, 2019</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/img_20180918_191142778.jpg</image:loc><image:title>IMG_20180918_191142778</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/20190907_145203-1-e1571145886964.jpg</image:loc><image:title>20190907_145203</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/20190907_133742.jpg</image:loc><image:title>20190907_133742</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/20190907_121704-2-e1571145381232.jpg</image:loc><image:title>20190907_121704</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/20190907_145203-e1571144527333.jpg</image:loc><image:title>20190907_145203</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/20190907_145200.jpg</image:loc><image:title>20190907_145200</image:title></image:image><lastmod>2024-04-08T09:10:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2019/02/28/imagem-natureza-e-apreensao-do-efemero-das-gravuras-de-hokusai-as-fotografias-de-jeff-wall/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/02/jeff_wall_a_sudden_gust_of_wind.jpg</image:loc><image:title>jeff_wall_a_sudden_gust_of_wind</image:title><image:caption>Jeff 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Imagem</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/07/53212857_10210867928934648_2499128902744539136_n.jpg</image:loc><image:title>53212857_10210867928934648_2499128902744539136_n</image:title></image:image><lastmod>2023-01-05T12:29:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2019/03/06/guga-ferraz-arte-diante-de-conflitos-urbanos-atas-do-xiii-encontro-de-historia-da-arte-da-unicamp/</loc><lastmod>2023-01-05T12:26:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2019/04/10/roberta-carvalho-revista-dasartes/</loc><lastmod>2023-01-05T12:26:16+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2019/06/10/patricia-chaves-revista-dasartes/</loc><lastmod>2023-01-05T12:25:08+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2019/07/10/homens-de-bem-contra-imagens-do-mal-revista-poiesis/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/07/imagem-5.jpeg</image:loc><image:title>Imagem 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2009</image:caption></image:image><lastmod>2023-01-05T12:21:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2020/01/03/entre-espaco-publico-e-espaco-expositivo-a-arte-em-transito-de-guga-ferraz/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/01/alx_9035.jpg</image:loc><image:title>ALX_9035</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/01/24498_1317453890136_1593304_n.jpg</image:loc><image:title>24498_1317453890136_1593304_n</image:title><image:caption>Guga Ferraz, Até onde o mar vinha, até onde o Rio ia, 2010</image:caption></image:image><lastmod>2023-01-05T12:20:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2020/09/27/midia-tatica-como-conceito-operativo-nas-artes-visuais-revista-estado-da-arte/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/09/40319035_325763737986373_5681413413805228032_o.jpg</image:loc><image:title>40319035_325763737986373_5681413413805228032_o</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/09/18424215_122506784978737_746545088826298502_n.jpg</image:loc><image:title>18424215_122506784978737_746545088826298502_n</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/09/662883616_1280x720.jpg</image:loc><image:title>662883616_1280x720</image:title></image:image><lastmod>2023-01-05T12:18:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2021/10/11/duas-visoes-sobre-a-figura-feminina-no-espaco-do-atelie-em-1884/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/10/imagem1.jpg</image:loc><image:title>Imagem1</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/10/descanso_do_modelo.jpg</image:loc><image:title>Museu Nacional de Belas Artes</image:title><image:caption>Museu Nacional de Belas Artes</image:caption></image:image><lastmod>2021-10-11T13:47:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2021/03/13/video-existem-limites-para-a-arte/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/03/miniaturalimite3.jpg</image:loc><image:title>MINIATURAlimite3</image:title></image:image><lastmod>2021-05-12T17:14:08+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2020/06/08/por-que-destruimos-imagens/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/https-cdn.cnn_.com-cnnnext-dam-assets-200608081851-edward-colston-statue-bristol-splash.jpg</image:loc><image:title>https-cdn.cnn.com-cnnnext-dam-assets-200608081851-edward-colston-statue-bristol-splash</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/gettyimages-1218218830-1-e1591657393945.jpg</image:loc><image:title>gettyimages-1218218830</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/15915726395edd789f311ba_1591572639_3x2_rt.jpg</image:loc><image:title>15915726395edd789f311ba_1591572639_3x2_rt</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/gettyimages-1218218830.jpg</image:loc><image:title>gettyimages-1218218830</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/ap20159514389534.jpg</image:loc><image:title>ap20159514389534</image:title><image:caption>Manifestantes derrubam estátua do traficante de escravos Edward Colston, em Bristol, na Inglaterra. Foto: Ben Birchall</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/lcg_0036_41.jpg</image:loc><image:title>lcg_0036_41</image:title><image:caption>Torso de mulher diaguita instalado onde estava a estátua de Francisco de Aguirre no Chile</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/age20160930033.jpg</image:loc><image:title>age20160930033</image:title><image:caption>Monumento às Bandeiras, de Victor Brecheret, pichado em 2016</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/bristol-edward-colston-statue-01.jpg</image:loc><image:title>Black Lives Matter protests</image:title><image:caption>Black Lives Matter protests. Protesters throw statue of Edward Colston into Bristol harbour during a Black Lives Matter protest rally, in memory of George Floyd who was killed on May 25 while in police custody in the US city of Minneapolis. Picture date: Sunday June 7, 2020. See PA story POLICE Floyd. Photo credit should read: Ben Birchall/PA Wire URN:54052046 (Press Association via AP Images)</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/109454928-mapuche2.jpg</image:loc><image:title>109454928-mapuche2</image:title><image:caption>Imagem de manifestante com bandeira Mapuche no topo de estátua militar em Santiago se tornou símbolo dos protestos no Chile por reformas sociais — Foto: Susana Hidalgo/BBC</image:caption></image:image><lastmod>2023-06-14T00:55:52+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2021/02/17/memorias-dos-carnavais/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/02/mery-horta-brilho-no-asfalto-2018.-creditos-paula-nogueira.jpg</image:loc><image:title>Mery Horta, Brilho no asfalto, 2018. Créditos - Paula Nogueira</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/02/mery-horta-brilho-no-asfalto-2018.-creditos-paula-nogueira-9.jpg</image:loc><image:title>Mery Horta, Brilho no asfalto, 2018. Créditos - Paula Nogueira (9)</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/02/mery-horta-brilho-no-asfalto-2018.-creditos-paula-nogueira-8.jpg</image:loc><image:title>Mery Horta, Brilho no asfalto, 2018. Créditos - Paula Nogueira (8)</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/02/mery-horta-brilho-no-asfalto-2018.-creditos-paula-nogueira-7.jpg</image:loc><image:title>Mery Horta, Brilho no asfalto, 2018. Créditos - Paula Nogueira (7)</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/02/mery-horta-brilho-no-asfalto-2018.-creditos-paula-nogueira-6.jpg</image:loc><image:title>Mery Horta, Brilho no asfalto, 2018. Créditos - Paula Nogueira (6)</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/02/mery-horta-brilho-no-asfalto-2018.-creditos-paula-nogueira-5.jpg</image:loc><image:title>Mery Horta, Brilho no asfalto, 2018. Créditos - Paula Nogueira (5)</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/02/mery-horta-brilho-no-asfalto-2018.-creditos-paula-nogueira-4.jpg</image:loc><image:title>Mery Horta, Brilho no asfalto, 2018. Créditos - Paula Nogueira (4)</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/02/mery-horta-brilho-no-asfalto-2018.-creditos-paula-nogueira-3.jpg</image:loc><image:title>Mery Horta, Brilho no asfalto, 2018. Créditos - Paula Nogueira (3)</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/02/mery-horta-brilho-no-asfalto-2018.-creditos-paula-nogueira-2.jpg</image:loc><image:title>Mery Horta, Brilho no asfalto, 2018. Créditos - Paula Nogueira (2)</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/02/mery-horta-brilho-no-asfalto-2018.-creditos-paula-nogueira-1.jpg</image:loc><image:title>Mery Horta, Brilho no asfalto, 2018. Créditos - Paula Nogueira (1)</image:title></image:image><lastmod>2021-02-17T12:16:34+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2021/01/04/o-visivel-e-o-invisivel-na-imagem-que-2020-deixou-para-a-historia/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/01/tarsila-e-sigaud.jpg</image:loc><image:title>Tarsila e Sigaud</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/01/yan2.jpg</image:loc><image:title>yan2</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/01/unnamed.jpg</image:loc><image:title>unnamed</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2021/01/sotsilogiya-cke.jpg</image:loc><image:title>sotsilogiya-cke</image:title></image:image><lastmod>2021-01-04T22:25:18+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2020/11/30/clandestinidade-e-performatividade-da-imagem-no-cristo-vermelho-de-ducha/</loc><lastmod>2020-12-23T00:40:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2020/10/03/apos-junho-de-2013-coletivos-estetico-politicos-na-guerrilha-do-sensivel/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/10/13582008_1738859283051425_6356673327202119908_o.jpg</image:loc><image:title>13582008_1738859283051425_6356673327202119908_o</image:title></image:image><lastmod>2020-12-03T14:50:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2020/05/20/a-moreninha-na-contramao-da-geracao-80/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/05/dossie_moreninha-26.jpg</image:loc><image:title>dossie_moreninha-26</image:title><image:caption>Jornal do Brasil, 27/02/1987</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/05/dossie_moreninha-22.jpg</image:loc><image:title>dossie_moreninha-22</image:title><image:caption>Jornal do Brasil, 25/02/1987</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/05/dossie_moreninha-20.jpg</image:loc><image:title>dossie_moreninha-20</image:title><image:caption>Jornal do Brasil, 25/02/1987</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/05/dossie_moreninha-17.jpg</image:loc><image:title>dossie_moreninha-17</image:title><image:caption>Jornal do Brasil, 20/02/1987</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/05/dossie_moreninha-10.jpg</image:loc><image:title>dossie_moreninha-10</image:title><image:caption>Jornal do Brasil, 02/02/1987</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/05/dossie_moreninha-6.jpg</image:loc><image:title>dossie_moreninha-6</image:title><image:caption>O Globo, 01/02/1987</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/05/61848161152-559.jpg</image:loc><image:title>61848161152-559</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/05/61848054145-49.jpg</image:loc><image:title>61848054145-49</image:title><image:caption>3Nós3, Operação X-Galeria, 1979</image:caption></image:image><lastmod>2020-11-30T11:58:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2020/07/16/cursos-online-intervencao-urbana-e-arte-contemporanea-z42-arte/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/07/107488318_2715241372079511_4827230939565748443_o.jpg</image:loc><image:title>107488318_2715241372079511_4827230939565748443_o</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/07/delson-uchc3b4a-da-sc3a9rie-bicho-da-seda-2014.jpg</image:loc><image:title>Delson Uchôa, da série Bicho-da-Seda, 2014</image:title><image:caption>Delson Uchôa, série Bicho da Seda, 2014</image:caption></image:image><lastmod>2020-07-16T12:10:02+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2019/06/24/o-que-pode-haver-de-conservador-na-arte/</loc><lastmod>2023-10-26T15:21:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2018/05/17/cartografias-do-novo-mundo-a-presenca-e-o-papel-da-paisagem-na-arte-da-america-latina-no-seculo-xix/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/05/velasco-valle-de-mexico-desde-el-cerro-de-santa-isabel.jpg</image:loc><image:title>Velasco - Valle de Mexico desde el cerro de Santa Isabel</image:title><image:caption>????????????????????????????????????</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/05/rugendas-view-of-the-valley-of-mexico-with-volcanoes-and-texcoco-lake.jpg</image:loc><image:title>RUGENDAS-View-of-the-Valley-of-Mexico-with-Volcanoes-and-Texcoco-Lake</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/05/francisco-laso-haravicu.jpg</image:loc><image:title>Francisco Laso-Haravicu</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/05/antonio_smith_crepc3basculo_marino.jpg</image:loc><image:title>Antonio_Smith,_Crepúsculo_marino</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/05/19-anc3b4nimo-mc3a9xico_sc3a9c-xix-agustc3adn-de-iturbide.jpg</image:loc><image:title>19 Anônimo (México)_séc. XIX Agustín de Iturbide</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/05/11-frederick-catherwood-inglc3aas-views-of-ancient-monuments-in-central-america-chiapas-and-yucatan-1844-7.jpg</image:loc><image:title>11 Frederick Catherwood (inglês), Views of Ancient Monuments in Central America, Chiapas, and Yucatan, 1844 7</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/05/5-josc3a9-marc3ada-velasco_1879-el-citlaltc3a9petl_105-x-160-cm.jpg</image:loc><image:title>5 José María Velasco_1879 El Citlaltépetl_105 x 160 cm</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/05/2-antonio-smith-chile_1870-rc3ado-cachapoal_100-x-146-cm.jpg</image:loc><image:title>2 Antonio Smith (Chile)_1870 Río Cachapoal_100 x 146 cm</image:title></image:image><lastmod>2020-06-17T17:45:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2018/07/04/a-experiencia-da-destruicao-como-metamorfose/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/tons-escuros-dos-materiais-que-cristina-de-padula-utiliza-para-construir.png</image:loc><image:title>tons-escuros-dos-materiais-que-cristina-de-padula-utiliza-para-construir</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/full15204_1529681072.jpg</image:loc><image:title>full15204_1529681072</image:title></image:image><lastmod>2020-06-04T11:21:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2020/06/03/arte-e-antifascismo-no-jornal-o-homem-livre-1933-1934/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/06_02-07-1933-2-1.jpg</image:loc><image:title>06_02-07-1933-2</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/09_24-07-1933-1-1-e1591210002261.jpg</image:loc><image:title>09_24-07-1933-1</image:title><image:caption>Página do jornal O Homem Livre com ilustração de Lívio Abramo</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/005619001013.jpg</image:loc><image:title>005619001013</image:title><image:caption>Lívio Abramo, Operário, 1935</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/005615001013.jpg</image:loc><image:title>005615001013</image:title><image:caption>Lívio Abramo, Guerra, 1937</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/005609001013.jpg</image:loc><image:title>005609001013</image:title><image:caption>Lívio Abramo, Bombardeio, 1940</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/not_detected_235985.jpglarge.jpg</image:loc><image:title>not_detected_235985.jpg!Large</image:title><image:caption>Käthe Kollwitz, As mães, 1922</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/pogrom.jpg</image:loc><image:title>Pogrom</image:title><image:caption>Lasar Segall, Pogrom, 1937</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/06_02-07-1933-1.jpg</image:loc><image:title>06_02-07-1933-1</image:title><image:caption>Artigo sobre a criação da Frente Única Antifascista n'O Homem Livre, ilustrado por Lívio Abramo</image:caption></image:image><lastmod>2020-06-03T20:04:38+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2020/06/01/notas-sobre-christo-e-jeanne-claude/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/image.png</image:loc><image:title>image</image:title><image:caption>Christo, Telefone embrulhado, 1962</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/image-1.png</image:loc><image:title>image (1)</image:title><image:caption>Christo &amp; Jeanne-Claude, Reichtag Embrulhado, Berlim, 1971-95</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/image-2.png</image:loc><image:title>image (2)</image:title><image:caption>Christo &amp; Jeanne-Claude, Surrounded Islands, Miami, 1980-83</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/image-3.png</image:loc><image:title>image (3)</image:title><image:caption>Christo &amp; Jeanne-Claude, Running Fence, 1972-76</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/06/image-4.png</image:loc><image:title>image (4)</image:title><image:caption>Christo, Motocicleta embrulhada, 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2017</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/04/28618909_1786434371378091_4318430017250297708_o.jpg</image:loc><image:title>28618909_1786434371378091_4318430017250297708_o</image:title><image:caption>Vinicius Pastor, Puxadinho, 2018</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/04/20150729_125701-copia-752x490.jpg</image:loc><image:title>20150729_125701-copia-752x490</image:title><image:caption>Aleta Valente, Material Girl</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/04/2017-09-13-11.11.52_670.jpg</image:loc><image:title>2017-09-13-11.11.52_670</image:title><image:caption>Thiago Ortiz, série Faixas de Rua, 2017</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/04/2017-09-13-11.07.50_670.jpg</image:loc><image:title>2017-09-13-11.07.50_670</image:title><image:caption>Thiago Ortiz, série Faixas de Rua, 2017</image:caption></image:image><lastmod>2020-05-26T08:05:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2020/04/03/curso-online-historia-da-arte-e-os-usos-das-imagens/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2020/04/david-teniers-the-art-collection-of-archduke-leopold-wilhelm-in-brussels-1650-1652-museu-de-histc3b3ria-da-arte-de-viena-1.jpg</image:loc><image:title>David Teniers, The Art Collection of Archduke Leopold Wilhelm in Brussels, 1650-1652, Museu de História da Arte de 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Caído, 2019</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/20190930_160708.jpg</image:loc><image:title>20190930_160708</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/20190930_160657.jpg</image:loc><image:title>20190930_160657</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/20190930_160626.jpg</image:loc><image:title>20190930_160626</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/20190928_182530.jpg</image:loc><image:title>20190928_182530</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/20190914_143352.jpg</image:loc><image:title>20190914_143352</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/volta-pro-mar-oferenda-projeto-arte-praia-2014.-foto-maurc3adcio-cuca.jpg</image:loc><image:title>Volta 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Foto - Maurício Cuca</image:title><image:caption>Volta para o mar, oferenda (Projeto Arte Praia), 2014. Foto - Maurício Cuca</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/tobogc3a3-proposta-para-mobilidade-urbana-2012.jpg</image:loc><image:title>Tobogã - Proposta para mobilidade urbana, 2012</image:title><image:caption>Tobogã - Proposta para mobilidade urbana, 2012</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/tobogc3a3-proposta-para-mobilidade-urbana-2012-.jpg</image:loc><image:title>Tobogã - Proposta para mobilidade urbana, 2012</image:title><image:caption>Tobogã - Proposta para mobilidade urbana, 2012</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/10/roma.jpg</image:loc><image:title>Roma</image:title><image:caption>Roma de Nero, 2008</image:caption></image:image><lastmod>2019-12-20T10:38:37+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2019/08/08/atrocidades-maravilhosas-e-tupinamba-lambido-20-anos-de-arte-e-midia-tatica-com-lambe-lambes-no-rio-de-janeiro/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/08/40388844_325763814653032_6857568909072007168_n.jpg</image:loc><image:title>40388844_325763814653032_6857568909072007168_n</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/08/38662883_309259812970099_4596639176031469568_o.jpg</image:loc><image:title>38662883_309259812970099_4596639176031469568_o</image:title><image:caption>Tupinambá Lambido, 2018</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2019/08/segunda-campanha-do-tupinbambc3a1-lambido-2.jpg</image:loc><image:title>Segunda campanha do Tupinbambá Lambido 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2018.</image:caption></image:image><lastmod>2025-02-05T11:40:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/contato/</loc><lastmod>2019-06-06T12:08:58+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://nuvemcritica.com/2018/03/20/apresentacao/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/03/magritte_03.png</image:loc><image:title>magritte_03</image:title><image:caption>René Magritte, O espelho falso, 1928</image:caption></image:image><lastmod>2019-05-31T12:21:51+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2018/07/23/nao-existe-coisa-mais-intima-que-um-cu-nem-mais-publica-do-que-coloca-lo-na-rua/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/arthur-leandro1.jpg</image:loc><image:title>Arthur Leandro</image:title><image:caption>Atrocidades Maravilhosas. Arthur Leandro. Circulo Privado de Esfera Publica. Passarela do Maracanã. 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do videoclipe "Me Solta", de Nego do Borel</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/nego9.png</image:loc><image:caption>Still do videoclipe "Me Solta", de Nego do Borel</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/nego8.png</image:loc></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/nego7.png</image:loc><image:caption>Still do videoclipe "Me Solta", de Nego do Borel</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/nego6.png</image:loc><image:caption>Still do videoclipe "Me Solta", de Nego do Borel</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/nego5.png</image:loc><image:caption>Still do videoclipe "Me Solta", de Nego do Borel</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/nego4.png</image:loc><image:caption>Still do videoclipe "Me Solta", de Nego do Borel</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/nego2.png</image:loc></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/2018-07-10-16.png</image:loc></image:image><lastmod>2024-12-24T17:23:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2018/07/09/atrocidades-maravilhosas-zona-franca-e-a-escola-de-belas-artes-como-propulsora-de-encontros-e-coletividade/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/rosana-ricalde.jpg</image:loc><image:title>Rosana Ricalde</image:title><image:caption>Atrocidades Maravilhosas - Rosana Ricalde</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/impressc3a3o.jpg</image:loc><image:title>Atrocidades Maravilhosas. Imprimido no Atelier da Fundição Progresso. 2000</image:title><image:caption>Atrocidades Maravilhosas - Impressão dos cartazes na Fundição Progresso</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/guga.jpg</image:loc><image:title>Atrocidades Maravilhosas. Guga Ferraz. Coluna. Avenida presidente Vargas. 2000</image:title><image:caption>Atrocidades Maravilhosas - Guga Ferraz</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/felipe-barbosa.jpg</image:loc><image:title>Felipe Barbosa</image:title><image:caption>Atrocidades Maravilhosas - Felipe Barbosa</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/07/edson-barrus.jpg</image:loc><image:title>Atrocidades Maravilhosas. Edson Barrus. Dizque Cão Mulato. 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Avenida Pasteur. 2000</image:caption></image:image><lastmod>2018-07-09T18:05:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2018/03/21/atelier-sanitario-mobiliario-maravilha/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/03/img_1976.jpg</image:loc><image:title>IMG_1976</image:title><image:caption>Daniel Murgel, Ofendículo Fita para cadeira Wassily, do Marcel Breuer. Aço, couro e ferro, 80 x 80 x 70 cm, 2015</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/03/img_1968.jpg</image:loc><image:title>IMG_1968</image:title><image:caption>Daniel Murgel, Ofendículo Bauhaus, para cadeira do Gerrit Rietveld. Madeira e ferro, 87 x 70 x 78 cm, 2015</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/03/10.jpg</image:loc><image:title>10</image:title><image:caption>Daniel Murgel, Ofendículo Leque para cadeira Oscar, do Sergio Rodrigues. Madeira, palha e ferro, 100 x 70 x 60 cm, 2015</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/03/img_3451.jpg</image:loc><image:title>IMG_3451</image:title><image:caption>Evento de comemoração de 100 anos do Cabaret Voltaire, no Atelier Sanitário, 05/02/2018. Foto: Thiago Fernandes</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/03/img_3386.jpg</image:loc><image:title>IMG_3386</image:title><image:caption>Evento de comemoração de 100 anos do Cabaret Voltaire, no Atelier Sanitário, 05/02/2018. Foto: Thiago Fernandes</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/03/fb_img_1521682854231.jpg</image:loc><image:title>FB_IMG_1521682854231</image:title><image:caption>Foto: Jaques Faing</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/03/fb_img_1521682849987.jpg</image:loc><image:title>FB_IMG_1521682849987</image:title><image:caption>Foto: Jaques Faing</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/03/fb_img_1521682844912.jpg</image:loc><image:title>FB_IMG_1521682844912</image:title><image:caption>Foto: Jaques Faing</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/03/fb_img_1521682840914.jpg</image:loc><image:title>FB_IMG_1521682840914</image:title><image:caption>Foto: Jaques Faing</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/03/fb_img_1521682830340.jpg</image:loc><image:title>FB_IMG_1521682830340</image:title><image:caption>Foto: Jaques Faing</image:caption></image:image><lastmod>2018-07-04T21:50:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2018/04/04/o-lugar-da-periferia-na-arte-contemporanea/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/04/29572488_10213949607247957_3939293309481764446_n.jpg</image:loc><image:title>29572488_10213949607247957_3939293309481764446_n</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/04/29571348_10213949610128029_8761493603601114918_n.jpg</image:loc><image:title>29571348_10213949610128029_8761493603601114918_n</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/04/29541810_10213949616008176_963612124456259730_n.jpg</image:loc><image:title>29541810_10213949616008176_963612124456259730_n</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/04/29541150_10213949614568140_6378863566966738683_n.jpg</image:loc><image:title>29541150_10213949614568140_6378863566966738683_n</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/04/29511715_10213949613888123_3517413707100948652_n.jpg</image:loc><image:title>29511715_10213949613888123_3517413707100948652_n</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/04/28959058_10213831099245331_4383287203883646976_n.jpg</image:loc><image:title>28959058_10213831099245331_4383287203883646976_n</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/04/28951448_10213831080324858_5822034452712259584_n.jpg</image:loc><image:title>28951448_10213831080324858_5822034452712259584_n</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/04/28872766_10213831101925398_4375816383150161920_n.jpg</image:loc><image:title>28872766_10213831101925398_4375816383150161920_n</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/04/29573060_10213949608367985_5370905682624081795_n.jpg</image:loc><image:title>29573060_10213949608367985_5370905682624081795_n</image:title></image:image><lastmod>2018-07-04T21:49:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2018/06/14/a-persistencia-da-memoria-em-matheus-rocha-pitta/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/06/matheus-rocha-pitta_-estela-12-gola-2014-_recorte-de-jornal-concreto-vidro-e-accca7o-inoxidacc81vel_180-x-100-x-5-cm_crecc81dito-matheus-rocha-pitta.jpg</image:loc><image:title>Matheus-Rocha-Pitta_-Estela-12-gola-2014-_Recorte-de-jornal-concreto-vidro-e-aço-inoxidável_180-x-100-x-5-cm_crédito-Matheus-Rocha-Pitta-</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/06/matheus-rocha-pitta_-estela-07-amarildo-2013_recorte-de-jornal-concreto-e-embalagem-de-cimento_180-x-100-x-5-cm_crecc81dito-matheus-rocha-pitta1.jpg</image:loc><image:title>matheus-rocha-pitta_-estela-07-amarildo-2013_recorte-de-jornal-concreto-e-embalagem-de-cimento_180-x-100-x-5-cm_crecc81dito-matheus-rocha-pitta1</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/06/geral-1160x770.jpg</image:loc><image:title>geral-1160x770</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/06/28378132_1771034342948624_8351213355026661042_n-960x480.jpg</image:loc><image:title>28378132_1771034342948624_8351213355026661042_n-960x480</image:title></image:image><lastmod>2018-07-04T21:48:38+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com/2018/06/29/intervencoes-de-martha-niklaus-e-a-midia-de-massa-como-espaco-performatico/</loc><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/06/cristo-rojo-2-low.jpg</image:loc><image:title>&amp;#x05;4.2.3</image:title><image:caption>Ducha, Cristo Vermelho, 2000</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/06/horizonte.jpg</image:loc><image:title>horizonte</image:title></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/06/9f7814cd72cef4f242eb3ecf18c4c12b-nuest-jr-mario.jpg</image:loc><image:title>9f7814cd72cef4f242eb3ecf18c4c12b--nuest-jr-mario</image:title><image:caption>3Nós3, Ensacamento, 1979</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/06/choque1.jpg</image:loc><image:title>choque1</image:title><image:caption>Martha Niklaus, Choque de Cores, 2011</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/06/choque2.jpg</image:loc><image:title>choque2</image:title><image:caption>Martha Niklaus, Choque de Cores, 2011</image:caption></image:image><image:image><image:loc>https://nuvemcritica.com/wp-content/uploads/2018/06/horizonte-negro_video_2015_foto-alice-kohler.jpg</image:loc><image:title>Horizonte Negro_video_2015_foto Alice Kohler</image:title></image:image><lastmod>2018-07-04T21:48:29+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://nuvemcritica.com</loc><changefreq>daily</changefreq><priority>1.0</priority><lastmod>2025-12-12T23:06:15+00:00</lastmod></url></urlset>
